Showing posts with label ATC. Show all posts
Showing posts with label ATC. Show all posts

Saturday, December 28, 2013

Back to Beading!

December actually saw me in the studio many times (stringing beads, making earrings, repairing jewelry, making micro-macrame bracelet/earrings), and finally got to what should have been on the top of the list - bead embroidery! I just finished this:

"Friends" - ATC by Robin Atkins

It's an ATC (artist trading card), originally planned as one of my Bead Journal Project pieces for 2012. Even though I'm thinking of it as a BJP piece, I'm still going to send it to Karen L. Cohen, who sent me one of her ATCs many moons ago, and who is patiently waiting for me to send one in return. I hope she likes it.

"Friends" is 2.5 x 3.5 inches. The hands are cut, one each, out of sterling silver and brass, and the "crown" on the heart is 22 gauge gold-filled wire. The beading, done on cotton fabric, is laced over a stiff water-color paper card, and lined on the back with Ultrasuede light, which is sewn to the fabric around the edges using a simple, single-bead, edge stitch. Let's see, what else... the heart is crocheted, and is a little lighter/softer color peach than it appears on my monitor. Some of the sequins are vintage. Most of the beads are size 15s, which is the only way to get this kind of detail on such a small piece.

ATC by Karen L. Cohen
Here's a picture of Karen's ATC, the one she made to trade with me. She is an enamel artist, and has included one of her enamels in the top left of the piece. I'm very pleased to have a piece of her work! If you have an interest in learning enameling, Karen is the author of a very lovely book on the subject (here).

I'm of mixed feelings about ATCs. I love the idea of them, the initial idea that artists could paint/draw/make a small version of their work to trade with another artist. But these beaded ATCs (mine anyway) take many hours to create (I'm guessing about 9 hours on this one, maybe a bit more). I probably won't be making very many of them to trade.

Friday, December 21, 2012

Two More BJP Blessings Finished - Family & Health

I finished November's and December's BJP pieces earlier this week and finally got them photographed today. All of my pieces this year are about blessings in my life.


Family (for November) is all about the blessing of a relatively close-knit family. We're not as close as sometimes I'd like, but we all like each other pretty well. My brother, Thom, and I lost our biological father in a car accident when I was 5 and Thom was 3. That could have been a disaster, but Mom met and married a wonderful man 2 years later, who soon became our new Papa. I'm fortunate to have always felt that he was my dad, that he loved me as much as he loved his own 3 children, my other 2 brothers and sister.


I don't really know what this piece says about family. Usually, by the time I finish a piece, the meanings have become obvious. Not so in this case. Anybody have any ideas?  It seems possible that the three buttons in the upper half represent my mom (the bird), my dad (the small blue-bordered button), and my step-dad (the square). Then, maybe the other 5 buttons represent me (well, that would be the rabbit, of course), and my 4 siblings. Whatever the significance/meaning, I do like the colors and the way it looks rich and inviting.


Health (for December) is all about the blessing of good health, with which I am unusually blessed.


I have no idea why I used chakra colors for this piece, or why I worked with a Goddess figure to represent health. I've never known much about chakra theory or particularly subscribed to other than Western treatments for health issues. Maybe this piece portends something for me in the future. If so, maybe this dear, healthy Goddess (along with her association with growing plants and a little kitty-energy) will continue the blessing of good health as I grow older.

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Because of working on my new book, I didn't get started on this year's BJP until June, my first piece for the year. I've done 7 pieces (June - December). Think I'll try to do double pieces for the first 5 months of 2013, so that in the end I will have 12 blessing pieces for this year... I do like them quite well.

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 Hope you all have a wonderful, magical, joyful Christmas. May the year ahead be just beadiful! Thanks for visiting today!

Thursday, November 29, 2012

Home - Oct. BJP Finished


Home
What does home mean to you?
A building, a place where you live?


If you ask a poet, "What is home?"
They might reply
"A home protects and nourishes the soul."


My home, the physical place where we live,
is a funky, crowded, owner-built, cabin-like place
on a fantastic rock-moss-tree chunk of land.
I love living here.

My home, the spiritual place surrounding my soul,
is safe and supportive.
I love living here.

Home is my place of belonging,
the key to creativity, the dragonfly of the moment,
the heart of love, the flowers of beauty, the tree of life,
the kitty of whimsy, the pathway to inner peace,
the amber of courage, and the rabbit of gentle grace.

The Bead Journal Project, for me this year, is a place to explore some of the blessings in my life. So far I have beaded Vision, Freedom, Hands, Nature, and now Home. They are small pieces, only the size of an artist's trading card - 2.5 inches wide x 3.5 inches high. To get the detail, I have to use mostly size 15 beads. Not a problem... I love those little guys!


Home has a lot of texture, and thus took quite a while to bead. I guess that's my excuse for being behind. I don't think I'll be finishing November's piece before the month is over. Ha... I haven't started it yet... except I know the blessing is Family.

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Don't miss this... only one more month to see this fabulous exhibition of quilts made by men!

Monday, September 10, 2012

Hands - BJP for August Finished




What would I do without my hands? That's a hideous thought, because all day, every day I use my hands... to bead, to stitch, to knit, to quilt, to type, to garden, to cook, to pet the cat. This year's BJP pieces are all about blessings in my life, and my hands vie with my vision for a spot at the top of the list.


First I made a reduced-size copy of my hand. I think it's about 50 %, but don't recall for sure. I cut out the hand, traced around it on my fabric for the basic hand shape, and drew in the lines by looking at my hand.


Looking through my brighter, warmer colored stash of batiks, I was drawn to a light-yellow fabric with rings of pink, lavender and aqua. It seemed right, although I didn't know at the time why.  It definitely influenced my color choices for the beads, and also the patterns I beaded on the hand.


Here's the finished piece, Hands (2.5 x 3.5 inches, standard ATC size). I called the previous pieces in this series ATCs (Artist Trading Cards), but really they are not, because I do not intend to trade them. They are my visual journaling pieces for 2012, one per month, each one about a life-blessing that seems important to me that month.

Back to my hands. I work improvisationally, without a plan. Sometimes, when the piece is finished, I find meaning in decisions that, when made, were strictly intuitive. Such is the case here, especially when I look at the pattern in the palm. It reminds me of a hand-woven basket, maybe one made by an indigenous crafts-person. It makes me think of my hands as baskets, or perhaps begging bowls, outstretched and open, willing to receive from the universe whatever I need. I love thinking about my hands that way.

There's also something child-like, playful, happy about both the pattern and colors. This makes me remember, with huge gratitude, my childhood teachers:
  • my mom, who taught me to sew very early in life, guiding my hands to make neat, little stitches, and later how to embroider and make my own patterns
  • my grandmother, who taught me to use her treadle sewing machine when I was only 6 years old 
  • my fifth grade homeschool teacher, who taught me origami
These three women blessed me and my hands with their wisdom. My hands are a lot like my mom's were. I often think of her when I notice my hands.


Finally, it's interesting that I chose to include a bone hand charm with an eye on it. So often I think of my hands as a way of seeing, another source of vision. A friend of mine in Hungary, made a beautiful, wall piece that told her life story in textural fiber art and beading. It was one of many pieces made by Hungarian artists for a national art show for the blind, who viewed the pieces by touching them. When I closed my eyes and viewed her work with my hands, tracing and touching lightly over the surface with my finger tips, it was a whole different experience, a whole different way of knowing about my friend and her life's story.

I bet most of you readers can identify with the blessing of your hands. Take a moment to join me in giving thanks for them.

Comment Verification Removal

I guess hackers and spammers are getting better and better, because comment verification has become nearly impossible. Akkkkkkk! I've gotten it wrong and lost my whole comment so many times. Very, very frustrating. Therefore, I've decided to see how it goes without it on my blog. Go ahead - comment with abandon and don't give a thought to figuring out the indecipherable gobbledy-goook at the end!

Monday, August 27, 2012

Freedom! July's Bead Journal Project ATC

Each of my BJP pieces this year is about a special blessing in my life. How could I be more blessed than I am with the freedom we enjoy in this country? What better subject for the month of July?


Visiting Eastern Europe several times while it was still under Communist rule, I experienced first hand a little of what it must be like to live under political suppression. In Romania, for example, it was dangerous for folks to be seen talking to me, and definitely not safe for them to allow me to come in their home. A person could be arrested (worst case) or denied food (best case) for speaking Hungarian in a bread line. Nobody knew who might be spying on them, reporting them to the police. Many people didn't even trust their own family members.


So political freedom, such as we have in this country (not perfect, but better than in many countries), is a huge blessing. On my piece, I represent this type of freedom with a 1944 liberty dime. The ink-pen point represents a related freedom - the freedom to write and speak our beliefs and thoughts. I include the blessing of a personal freedom, which I grant myself, to write honestly and freely in my journals, blogs, and books.


The butterfly represents spiritual freedom. It has something to do with allowing myself the freedom to explore spirituality in a way that is not boxed by any traditional religious concepts. The bird? Well, birds fly, bless them. I want to be a bird in my next life, free to fly long distances, swoop and soar, and ride the winds.


When I hold my July ATC in my hand, it seems to throb, to exude the outward energy of freedom. May it grace the universe with each pulse.

I use Ultrasuede Light as a backing for each of my ATCs. With a watercolor paper stiffener between the beading and the backing, I stitch them together using a single bead edge stitch. The title, date and signature are rather casual (nice way to say my printing sucks). Perfection is not one of my blessings.


The fabric I used for this piece is some that I hand-resist-dyed in a workshop taught by Ann Johnston. I had been hoarding it for a long time. Working on Freedom gave me the freedom to cut into the piece and use it! You can probably see how this fabric influenced my color choices and the way the piece is divided into 4 quarters, each with a different symbol. The inter-twining vine ties them all together.