Good News! Get Atkins books on Amazon!!!

Illustration from Heart to Hands Bead Embroidery

For years people have been asking me why I don't put my books on Amazon.com and/or why I don't offer credit card  purchases.  Long story about the why... but the good news is, older dogs can learn new tricks, although not easily, mind you (LOL).

As of today, you can now purchase my two most popular books on Amazon.com!!!

• Heart to Hands Bead Embroidery
• Beaded Treasures  (finger weaving)

Plus! You can pre-order my new book at a special, introductory price of only $16.49... quite a deal for such a comprehensive book with over 500 color photos and 250 pages!

• The Complete Photo Guide to Beading

You can help!

If you already have my books, and especially if you like them, you can help me greatly by posting reviews on amazon, especially for the first two titles above.  Or, simply go to the link and click on "like." I appreciate your assistance in getting started with amazon book sales very much!

Detail from cover of new book, available for pre-orders on Amazon.com

What about my other books?

I can't list Spirit Dolls, Finishing Techniques, or Rosie, the Uncaged Hen on Amazon.com, because these books do not have printed bar codes on them... two of them don't even have an ISBN number. If the amazon sales go well, I may reprint the covers so I can get them listed too.

Yes, you can order any of my self-published books from me if you wish (through my website). They will be autographed! However, I'm still doing it the old fashioned way with payments by check, cash or money order. I'm hoping the Amazon.com listings will make it easier for those of you who wish to pay by credit card or live in other countries.

Please note: Beaded Embellishment (by me and Amy Clarke) and The Complete Photo Guide to Beading are available on line or in retail bead, craft, and needle arts shops. However, I will not be selling these titles through my website. The reason is that my cost from the publisher is about the same as you can buy them on amazon. I'd have to sell them at full retail price. I'm guessing you don't want to pay that if you don't have to.

Artists Studio Tour... June 4 & 5... More Letting Go!

It's been about 5 years since I participated in the San Juan Island Artists Studio Tour as a guest artist in Ev Tuller's weaving studio. This year I've been invited to join fine artist, Cinda Sue Dow, in her studio. I'm excited about this opportunity, as I haven't shown my jewelry for quite a while. This is my page on the Studio Tour site.

And this year, something new! Continuing with efforts to let go of things, I've decided to add some of my more artful pieces, ones that have been featured in books and magazine articles (some are shown below).

Location: from town of Friday Harbor, going toward the fair grounds on Argyle, take a right on Spruce, and then a right on Alder Ct. to 545. Cinda Sue's art will be shown in the garage studio, mine in a detached studio accessible through her garage studio.

Time: The open hours are 10 am to 5 pm on both Saturday and Sunday.

Drawing: Both Cinda Sue and I will be giving away a prize, so be sure to sign up when you come!

The pictures below show some of my typical jewelry... fibula pins, earrings, bracelets, necklaces, key chains, zipper pulls/cell phone fobs. These are moderately priced ($14 - $75), yet are made from quality materials - sterling silver and gold filled wire, lampwork beads, Swarovski crystals, silver charms, vintage beads and charms. These items make lovely accessories and gifts. I offer free gift packaging.

Earrings and fibula pins featuring beautiful lampwork beads.

Fibula pins and wire-worked pendants on variable-length silk ribbons featuring special lampwork beads.

Finger-woven necklace featuring hand-made, one-of-a-kind raku porcelain beads.

I decided to put some of my long-hoarded sterling silver pendants from China, India and southwest USA on silk ribbons. These are definitely unique!

These are vintage glass (lampworked) beads from China. They are a unique lusterous blue color, not available in today's bead market. I've paired them with sterling silver beads from Thailand.

Below are pictures of some of the art pieces, most of which were made to showcase a technique or design/color element for publication in books or magazine articles. I haven't decided on prices for these one-of-a-kind items yet. If you, as a Beadlust reader, are interested in purchasing one of these prior to the Studio Tour, please contact me and we'll figure it out.

I love working with Margie Deeb, author of The Beader's Color Palette. I made 11 pieces which showcase specific color palettes for this book. The 8 pieces shown below will be for sale at the Studio Tour and are page referenced to Margie's book, because her pictures are WAY better than mine!


Air Currents ~ What color is air? How can one make a necklace that represents the nature of air? I chose vintage beads with various finishes in clear, white, light grey and pale blue with a beautiful swirling lampwork focal bead, real pearls, and silver bells on the tassels. Pg. 17

Ring of Fire ~ Inspired by our spring-time, giant burn pile, this off-loom woven bracelet, is a blazing ring of flames. Pg. 20 (I don't seem to have a picture of this piece in my files; I'll take one and add it later.)


Stained Glass Tassel ~ My assignment for this piece was to create a piece using the color palette of Medieval or Byzantine stained glass church windows. Fun! All the beads are transparent, so hung in a window, the light will come through it and pass it's lovely colors into the room. Pg.44. (Note: This finger-weaving technique is featured in my book, Beaded Treasures, on pages 36 - 39.)


Sea to Sky ~ The color palette for this necklace is based on a painting by Claude Monet (Morning on the Seine near Giverny) I loved blending the greens to blues to pale lavenders to whites giving close to the same affect as Monet with his paint brushes! This piece features a large, one-of-a-kind, vintage, sterling silver fish and butterfly clasp from northern Thailand in the Golden Triangle area. These two silver pieces, alone, are worth a lot as collector, possibly even Museum-quality, pieces. Pg. 55.


Courtesan ~ The colors and emotional content of this nine-strand necklace are inspired by a Japanese kimono. Many vintage pressed glass, lampwork and gold-filled beads are included. Because the strands are graduated, this necklace will sit comfortably on the chest. Pg. 91.


Emperor Penguin ~ The shape and colors of this bead-embroidered pin are inspired by a photo of an emperor penguin with its head tucked down on its breast. I loved the way the yellow feathers showed under the lower edge of the wing. Pg. 129.


Fancy Dangle Bracelet ~ Everything about this piece was inspired by a colorful sea anemone, the vibrant fuchsia, chartreuse, lavender and ivory colors and the fluidly moving tentacles. Pg. 132.


Festive Time ~ This nine-strand necklace is bold and architectural. It features vintage lampwork and pressed glass beads, some of which can slide along the strand (fun for busy fingers). Bright and happy, it's all about summer fun! Pg. 152.

I guess that's enough to give you an idea, but there will be more, I promise! Hope you can make it to the show!

Bead Jewelry! Holiday Shopping on San Juan Island!

If I have a reputation in the world of arts and crafts, I'm pretty sure it would be for my bead embroidery, which is my first love and passion. But like many of us, I started with stringing beads - making jewelry. That was in 1985. Before that in the 70's I was a metalsmith, fabricating gold and silver jewelry. Making pendants, earrings and fibula pins with wire and beads followed naturally.


I could never do production work - making jewelry to sell in galleries or shows. For me that would involve too many compromises to keep the cost and time down. Yet, every now and then the urge to pick up my pliers, hammer and files taps me on the shoulder. I get out my stash of lampwork beads, silver elements, sterling and gold-filled wire and get to work.

Lucky for me, an opportunity knocked on my door a couple of days ago. Rhonda Scott of Vital Elements, leased a store-front in Friday Harbor, the totally-decked-out-with-Christmas-lights, little town on San Juan Island and invited a dozen or so local artists to consign their art for the month of December. OMG! It's so cute in there... so many totally wonderful things!

Here's the info:


Here's my little area. I set out 156 items - necklaces, earrings, bracelets and fibula pins!


The necklace below features antique, Chinese, glass, lampwork beads in a gorgeous, soft, translucent blue. I accented them with a Thai silver pendant and beads.


A few years ago I bought a strand of hand-faceted, man-made rubies in graduated sizes. It was a rather extravagant purchase. What can I say... I love them! This picture doesn't do them justice at all. They look so lovely... not quite bling, but definitely people would notice if you were wearing this necklace. I always try to make a couple pairs of earrings that can go with each necklace.


For 20 years, I've been collecting unusual, silver pendants... India, China, Tibet, Nepal... Some are very old. I decided to put some of them on silk "ribbons" and let them go...


The silk "ribbons" also work very well for some of the beautiful contemporary lampwork beads I've been collecting. Below are dichroic beads in the shape of shells. They are so striking and lovely, I decided they needed to be "strung" in a very simple, yet elegant way.


The same goes for these amazing heart-shaped, lampwork beads I found at a conference a few years ago.


The center necklace on the stand below features an antique Chinese pendant that I found at a market in Beijing in 1991. It's a beauty!


In the black and silver necklace below, I used a small collection of vintage, hand-carved, jet beads from the early 1900's. Each is different. I found them in an antique shop in Germany.


I've hoarded these treasures for long enough. It feels really great to make them up and put them out where somebody else can enjoy them for a while! I also use long-hoarded beads and silver elements in my fibula pins and earrings. No two are alike!


Designing and stringing bracelets is lots of fun for me! I try to make them comfortable to wear and easy to clasp, yet durable and attractive. Shopping for bracelet beads is always a joy!


Over the years, I've made and sold many finger-woven, treasure necklaces like the one below. It's a technique I developed inspired by ethnic necklaces from Tibet and Nepal. If you're intrigued, you can learn this technique from my book, Beaded Treasures. This necklace showcases raku ceramic beads by an artist in Hawaii.


If you live in Western Washington, why not visit and shop in Friday Harbor, San Juan Island for a day?!!! Our merchants go all-out with the decorations... it's a sweet place to be during the holidays. Be sure to stop by Vital Elements, just a short walk from the ferry dock.

Shhhhh.... ladies only.... you can show Rhonda what you wish Santa would bring you and give her your sweetheart's name and phone number. She'll call to tell him what's on your wish list! I love that idea.

Well, wish me luck... I hope some of the jewelry I've created will be gifted with love this holiday season.

Short Subjects

Feb BJP ~ French knots & Colonial knots

My beading/quilting friends Christy and Lunnette introduced me to Colonial knots, assuring me that they're more secure than French knots. Christy says they're also easier than French knots. Maybe... after you've made quite a few. I agree however that for a consistent look and secure feel, Colonial knots take the cake. So all the knots on my Feb BJP are of the Colonial variety.


The difference? Here is how you make a French knot. The thread is wound around the needle. The more winds, the bigger the knot. Here is how you make a Colonial knot. The thread is passed in a figure-8 around the needle. The size is not variable.

Knots vs. seed beads... I guess one could argue that I could have achieved the same affect sewing a single bead in the same location as each knot. That would work too, although the look might be a bit less soft. I enjoyed the meditative time spent making all the background knots on my BJP piece.

Teaching

As many of you know, I'm not teaching much right now. The reason I always give is that my mother, who is 92 and lives in Minnesota (a day's flight from me), is not in the best of health. I don't want to promise someone I'll teach at their conference and risk the possibility of having to cancel at the last moment because Mom's health takes a turn for the worse.

Also there's a certain quality-of-life right now that I call being on hold. It's based on the certainty that before long I will not be a daughter any more and will not have any parents... I feel a little in limbo, uncertain and adrift, as though I've stopped living while waiting for the change, even though it isn't really imminent and surely I'll adjust once it happens.

So this year, the second in a row for scaling back on teaching, I have only one definite gig. And that is just around the corner.

I will be teaching at the Bead Bazaar sponsored by the Rocky Mountain Bead Society in Denver, Colorado. Advance registration is open now. I'll be teaching:

• Woven Treasure Bracelet or Tassel on April 25
• Techniques of Bead Embroidery on April 26

I'll also be giving a Powerpoint presentation at their meeting located here in Denver on April 23. If you're in the vicinity you may want to come! Here is my topic:

• Visual Journaling with Beads, Fibers, Threads and Fabric
• View over 200 beaded journal pieces by 42 artists participating in the 2007-08 Bead Journal Project!
• Compelling and inspirational, this unique beadwork tells stories, reveals emotions and follows important events in the lives of the artists who create a visual journal each month during the year-long project.
• In this presentation, you will see some of the best!

Colorado beaders are wonderful! I've taught there previously and been very impressed with the level of skill and artistry. Several BJP members live in Colorado, including:

• Vicki S (07-08)
• Mary T (both years)
• Marva P (08-09)
• Donna S (o8-09)

There's also a possibility that I'll be teaching during the first week of October in Arizona. Stay tuned on that one!

Clues ~ Mystery Beadwork

Here is a post showing beautiful fragments of historical bead embroidery, weaving and smocking that I bought 15 or so years ago. The origins of this 100+ year old beading were unknown by the seller, except that he bought it from a peddler in Mexico City. In the post I asked for help in identifying the origins.

Help arrived! I'll post the complete findings in a later post. But, in summary, the work appears to be from Mexico, probably from the Nahua natives of the central Puebla area. My information comes from two main source books: La Chaquira en Mexico and Costumes of Mexico both of which are well illustrated, fascinating books. (By the way, la chaquira = beads!)

Just as a teaser, here is one of the pieces in my collection.


Here is a diagram from La Chaquira en Mexico showing the techinque for bead embellished pleating, as done by the Nahua natives.


And here is a picture from the same source showing a blouse made with this technique. Incidentally, I think this blouse is more recently made and with a slightly different technique than the fragments I have. Yet there certainly are similarities.


Choices

Are you familiar with Robert Glenn, the painter who writes a free newsletter about the artistic process, painting and issues affecting artists? I love reading his thought-provoking articles that come to my email once a week and thought I'd share a few words from his latest ~ about choices we make as artists. He writes:

Today I spoke on the phone to several colleagues. We were talking about planning versus improvisation. While many fine artists plan everything in detail and then simply execute, others admit they don't know what they're doing from the get-go, but they start anyway and spend a lot of time fixing up. Both systems work... The nice thing about choices is that they can be changed... The wayside choices we make, however minor or major, determine our signature, our style and our level of personal satisfaction.

So, the ol' improv vs. plan question comes up in all aspects of art, I guess. What do you think of his point about our choices determining our style and level of personal satisfaction?

Finger Weaving - New Work & Tips

Recent Finger Weaving Projects

I feel like I've been on another planet for about a month. Almost all my attention was devoted to the Bead Journal Project. But for one weekend, I took a happy break and went to a bead retreat with some beading buddies! There I worked on (and finished!) some new finger weaving projects.

The reason why the tassel on the right looks a little like a jelly fish, is because the top lampwork bead reminded me of a jelly fish from the moment I saw it. I think the maker, Jenny Friske-Baer (of Portland, OR), intended these beads to be flowers. They'd be lovely that way too.


Here's a closer look at the top of the tassel.

I had quite a lot of beads left over from the tassel, so next I used the finger weaving technique to make a multiple strand bracelet. The weaving is used at the ends to make the loop and clasp.


After that, I went to work on a necklace using some beads made by Alicia Kawano Oh, a lovely creator of raku-fired ceramic beads. I met Alicia while teaching in Honolulu years ago. Here's a picture showing the results!

You Can Learn Finger Weaving

Finger weaving is actually easy to learn, yet it has endless possibilities for design, depending on the cord and beads used. I've been doing it for about 15 years, and a year ago published a book with step-by-step instructions and design variations.

I also teach this technique, because I know it's always great fun to work directly with a teacher. Although I'm winding down my teaching career, you still have 2 opportunities to learn this fabulous method for making bracelets, necklaces, tassels and straps in a workshop environment. Both are comming right up:

Chicago, IL ~ June 26 and 27
Woven Treasure Necklace ~ two day workshop
North Suburban Needle Arts Guild
contact: Rhonda Newman ~ 847-564-4357

Tacoma, WA ~ July 15
Woven Treasure Bracelet ~ one day workshop
Puget Sound Bead Festival

My Chicago class is very small, so if you can do it, you're guaranteed lots of individual attention. Because it's a 2-day workshop, you'll learn many advanced techniques.

The Puget Sound Bead Festival in Tacoma is a fabulous event with great classes and great vendors. Smaller and more personal that the Bead & Button Show, it offers many perks for students. My finger weaving class there is filling, but still had openings the last I heard.

About Beading Cord for Finger Weaving

For almost all of my finger woven pieces, I use #18 bonded nylon cord, although linen and other materials are OK too. A person who has my book, Beaded Treasures, wrote to me recently to ask about C-Lon. Here's what I've learned so far.


There seem to be a good many put-ups for #18 nylon cord! (See picture above.) Sold in bead shops for macrame, this cord is also good for stringing and for finger weaving.

The spool on the left (A) is manufactured by Mastex and distributed to bead shops under the trade name of BeadSmith. This is what I've been using for finger weaving for 15 years. It's also what I sell on my website (here). Mastex used to put-up their cord on large spools (D), and a few suppliers still have stock of Mastex cord in this form.

I don't know who manufactures the larger of the two purple spools (B). It's slightly heavier than Mastex cord. It works OK and comes in this beautiful, rich purple color, which Mastex doesn't make. So I use (and sell) it too.

The other two spools (C and E) are now being offered by many bead shops. I've seen them referred to as either S-Lon and C-Lon, which is confusing. I don't know who is the actual manufacturer of this cord. Whoever it is also manufactures a much lighter weight cord, used for beadweaving and bead embroidery (similar to Nymo D). If you decide to try this cord for finger weaving, be sure you are getting the heavier weight!

One advantage of these smaller spools (C-Lon or S-Lon) is that they come in many luscious colors, and are sometimes packaged as sets with 3 to 12 colors/set. Because the put-up is smaller than Mastex cord (A and D), it's less expensive and you're not buying more than you need. It is very similar in all other respects to Mastex.

The disadvantage of these smaller spools is that the cord is stiff and holds the curls from being wound on a relatively small diameter spool. This makes it tangle when you're working with it.

Tip for Getting Rid of Tangles

Iron the cord! Measure off what you need. Heat up your iron to medium heat. Lay the cord over the ironing board and put the iron down on top of it. Leaving the iron in place, pull the cord slowly, ironing the entire length. It just straightens it right out... no more tangles!

T is for Thankful!

B is for Blessings!

While our turkey is cooking, the joyful smell of its crackling juices pervasive throughout every cranny in the house, it seems appropriate to make a gratitude list. Mine is random, unedited, in the order conceived… and incomplete.

I’m blessed with a wonderful family. We all like each other; we’re all friends!


Mom ~ who is nearly 90, amazes me constantly. She’s totally deaf, lives across the country from me, and doesn’t do computers… so we communicate the old fashioned way – with letters. Her extensive vocabulary, flawless grammar and love of books have undoubtedly contributed much to my appreciation for good writing.


Dad ~ and Mom had a rare and envious kind of marriage that was rock solid, founded on deep mutual trust, respect and regard. Together they set a golden example for their family, and provided a road map for navigation through difficulties, illness and loss. For this I am incredibly grateful!


My siblings ~ Thom, Matt, Jon and Roxy, their spouses and their kids – I’m so proud of them all, so happy to have their friendship, to have this lovely sense of community, support and family, even though we’re spread across the country! The picture above is from Thanksgiving (in Minnesota!) 1998, when Mom and Dad were still in their home.


Robert ~ I’m equally blessed with a wonderful husband. At age 54, I thought I’d never find anybody with whom I could share such a relationship as my parents had. Better to never marry, I thought. But all that changed when I took a photography class at the Coupeville Arts Center and just happened to sit next to Robert Demar. He made me laugh then, and he still makes me laugh. I adore laughing, but am a serious soul… so I need him to fodder the chuckle within. Companions, partners – mates for life– that’s what we are!

Many friends have blessed my life… Here are a few of them:


Liz ~ I’ve probably talked more, revealed more, listened more and learned more with Liz than anybody else in the world. We go back 36 years. We read our morning pages out loud to each other. That’s trust!


Creativity Sisters ~ This group goes back a long time too. Formed early in Beadland (17 years ago), we do art together and encourage each other, especially when life gets in the way of our art.


Quilting Sisters ~ Together, we do lunch and work on our art/quilt projects every Tuesday. I’m so grateful that finally, after living on this island for 8 years, I found local girlfriends. They enrich my life more than I can say.


Slum Lords, Inc. ~ Well, we were actually really good landlords, but we got a chuckle out of calling ourselves “slum lords.” Four friends (Doug, Anne, Liz and me) back in 1982 bought a duplex together as an investment. The real investment was in our friendship. The duplex sold many years ago, but we still meet from time to time, our bond strengthened by the trust that comes with shared business and money experiences.


Anna and Jinghong ~ During my traveling abroad years, I was fortunate to acquire two sisters. Anna, my bead sister (pictured above with her kids), lives in Hungary. Among other things she learned English so we could talk and correspond. Jinghong, my soul sister, bless her heart, knew English so well when we met (Beijing, China, 1991) that she could have been a professional translator. Sensitive and expressive, she wrote beautiful long letters, all of which I still have. Now we communicate more often on the phone.

Many others have and do touch my life in a special way, including all of you blogging friends. Friendship and sisterhood are huge blessings!


Hands and eyes ~ a pair of each to make art possible… Oh my goodness, what would I do with out them!


Balance ~ Maybe it was years of dancing that gave me good balance? The blessing of it now is that (at age 64) I can ride my motorcycle! Here are pictures from our recent trip to the Jasper National Park in Alberta, Canada. What a delightful way to be in the world!


Beads ~ Precious beyond their cost or merit, every little bead (and all my time spent with them) is a treasure, inspiration, and gift. Fabrics, fibers, tools, buttons and paint are right up there as well.


Home ~ Our lovely 5 acres in the middle of San Juan Island, Madrona trees, moss and wildflowers, deer; our sweet and funky little house; our island community; Mt. Baker and all the mountain majesty surrounding us; the beaches and ocean waves; eagles, fox, rabbits, orcas… These are riches beyond measure!


Hollie ~ Our delightful feline, Miss Hollie Three-Bell-Huntress, is a clown and born entertainer... How would we ever manage without a cat in the house to boss us around?

Elections ~ The fact that we can (and do) vote and this year’s election results are small blessings in the thorn of media propaganda (especially prior to elections).

This list could go on and on… but the turkey needs my attention. So adieu my good friends…

Blessings to you this Thanksgiving Day!