Showing posts with label metalworking. Show all posts
Showing posts with label metalworking. Show all posts

Monday, August 20, 2012

Showcase 500 – Beaded Jewelry


book cover

Lark Books has really done a great job with this book. But that’s no surprise because the fact is:  BEADERS are skill-building faster than you can say the word bead. Of course it’s fantastic!

back cover

I am totally impressed with these 500 pieces, made by 278 artists from many different countries around the world. Just a few decades ago, beaded jewelry was pretty much limited to simple earrings and strung necklaces. Now bead weaving and bead embroidery have joined forces with bead stringing yielding a beautiful and vast array of beaded jewelry.

fun necklace by Stephanie Sersich

As the book’s editor, Ray Hemachandra, points out in the introduction, “This collection includes work from many of the world’s best-known beading artists – the superstars and the master designers and teachers – and it also presents pieces made by talented beaders whose work has not been published previously.” All of it is good. All is inspirational and amazing.

Let’s let the photos speak for themselves. Here are a few of my personal favorites.

I always love Carole Horn's work!

Couldn't decide which of Carole's necklaces to include, so they're both here!

I like it that some of the pieces are primarily metalwork, with just a few accent beads.

If you click the picture, you'll be able to see more detail. I love this piece!

You'll find everything from funky to sublimely elegant in this book.

Myra Schwartz has a whole series of pieces featuring vintage pipes. She's an amazing designer.

I am so grateful to own this book, and recommend it 100% to anybody who loves beads, even if you don’t choose to make beaded jewelry. There’s so much about art, about color, about design, and about the beads themselves to be gained from study of these 500 pieces.

Here’s a link to buy it on Amazon, although I’m sure it’s also available in many bookstores and from many other online sources.

Heidi's work is always captivating. This one is so powerful, I had to include the detail shot below.

Talk about using beads to tell a story! Wow!

My one regret? Well… I received an invitation to submit pieces for publication in this book, but was so busy doing projects for and writing my own book (The Complete Photo Guide to Beading), that I let the deadline slip by. Whaaaa. I’d give a lot to be in such good company as the artists in this book. Congratulations to them all!

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By the way, my new book is available to pre-order on Amazon, here! It will be out early in December.

Friday, June 04, 2010

Change - May BJP - Finished!

collage, bead journal project, Robin Atkins, detail
Major changes (which came into full swing during May) are happening in my life. All six of my words for the month are relevant. They are: change, remember, forgive, seek, open and thank. Can you find them in the finished piece below? (You may need to click to enlarge.)

fiber and bead collage, bead journal project, Robin Atkins
I named the piece Change because that's the most important word of the six. Although I've decided not to delve into the personal changes I'm making in this post, it's not really a secret. If you're interested to read about it, you can check out my journal-blog, Words Paint, which I write under the pseudonym of Peacefulbird.

Obviously, the butterflies are symbolic elements of change and metamorphosis. A once-closed envelope (me) is now open with butterflies flying free. Feathers are another symbol of freedom, flight and good perspective... My husband found these two in our yard. My best guess is that a Northern Flicker gifted some tail feathers to us. The turtles are all about getting there, no matter how long it takes.

I started with the second, luscious, butter-soft, piece of resist-dyed felt made and given to me by Sweetpea. Without thought, I immediately folded and pinned it into an envelope shape. What could go in it? Oh, maybe those flicker feathers I've been saving! Oh, OK, now what paper will I use for the background?

Auditioning papers: This one seems to dark, don't you think?

auditioning painted papers for bead journal project, Robin Atkins
This one seems too busy.

auditioning painted papers for bead journal project, Robin Atkins
This one is really too busy; it competes with the pattern on the felt.

auditioning painted papers for bead journal project, Robin Atkins
This one was my second choice. I like it a lot, but it seems a tad too pale or washed-out looking with the felt.

auditioning painted papers for bead journal project, Robin Atkins
Here's the one I chose. Doesn't look like much in this picture, but the color has lots of life without being overpowering.

auditioning painted papers for bead journal project, Robin Atkins
Once that was decided, I started playing around with various beads and elements I might use. I had 4 plastic butterfly-shaped buttons in my stash which looked really nice coming out of the felt envelope and had appropriate relevance to change.

How could I apply my words to these buttons and where could I find two more? Hmmm... gave up on that one and decided to make my own butterflies by sawing them out of copper sheet and metal-stamping the words. Tried that. Too big, and way too visually heavy for the delicacy of a butterfly. OK, well, maybe I could make butterflies out of heavy, water-color paper, write the words on the wings and paint them. Here are the three ideas. You can see why I rejected the copper...

collage elements, bead journal project, Robin Atkins
So then I played around with drawing butterflies free-hand. Ummm, I'm not so good at that. However I had a sheet of butterfly stickers that gave me an idea. I peeled off the background part of the sheet and placed it lightly on the water-color paper. Then I used a #2 Micron pen to draw around the inside (where the sticker was), which gave me some nice shapes.

template for drawing butterflies, bead journal project, Robin Atkins
I wrote the words vertically along the edges of the left-hand wings, extending some of the letters to look like the veins. For the right-hand wings, I wrote the words backwards. Ruined a few, but finally got six usable butterflies. Next I painted them with watered-down, transparent acrylic paints.

painting butterflies for bead journal project, Robin Atkins
After painting, they looked like this.

painted butterflies for bead journal project, Robin Atkins
Before cutting out the butterflies, I used an embossing stylus to score along the body on each side so that I could easily fold the wings into flying position.

Next, I had to figure out how to attach them to my piece. Everybody knows how much I don't like glue. So, I needed a way to sew them on the paper and felt. I also needed antennae. A double-layer body might do the trick...

I cut out six little, body shapes from heavy, black paper and made antennae from bent pieces of 28 gauge brass wire. Using PVA (acid-free, bookbinder's glue) and a toothpick applicator, I put a little glue on the back side of the butterfly bodies and along the duplicate body shapes. Then I placed two pre-cut lengths of Nymo thread in the glue, perpendicular to each body and laid the antennae in the glue at the head. When the glue was slightly set, I joined the duplicate body layer to the back of each butterfly. My plan, if the glued layers worked, was to use the four Nymo threads to sew each of the butterflies to my piece. It did work! I hope the picture helps to make sense out of what I just wrote.

underside of painted butterflies for bead journal project collage, Robin Atkins
I also used 28 gauge brass wire to wrap beads around the feather quills. In a similar manner to the butterflies, I laid two pre-cut Nymo threads along each quill before wrapping, which would allow me to sew the feathers to the paper.

Here's what the back of my piece looks like. You can see where I tied the Nymo threads to secure feathers and butterflies. I used Tyvek (from a mailing envelope) as a backing to prevent the thread from cutting the paper. You can also see where I sewed the felt envelope to the paper using Nymo thread.

back side of collage, bead journal project, Robin Atkins
Well, there you have it, probably more how-to than anybody needs or wants... but I can't help myself sometimes...

I love this piece and what it represents in my life! Hope you like it too.

Wednesday, June 02, 2010

Ta-dah!!! The Winners Are....

Quick post to announce the winners of my two recent giveaways!

Metalworking 101 for Beaders by Candie Cooper
The winner of an autographed copy of Metalworking 101 for Beaders by Candie Cooper (read my "review" of this wonderful book here) is:

Sharyn Sowell! I think it's really fun that Sharyn is a paper cutter (I have some of her work and it's fantastic) and now she's interested in learning to cut metal... I am soooo looking forward to seeing what she does with it!

One Bead at a Time by Robin Atkins
The four winners of the last four hard copies of my book, One Bead at a Time, are:

#1 - Madonna (Front Range Stitches) in Colorado embroiders with thread in many techniques. I enjoyed scrolling through her blog to see her many hand-stitched creations. I didn't see beads or bead embroidery, so maybe it's perfect that she's one of the winners.

#2 - Morwyn (AnotherCountry BeadWorks) in Albuquerque is absolutely no stranger to bead embroidery. I first fell in love with Morwyn's work when she participated in the first year of the Bead Journal Project. Later, so smitten was I, that I went to her etsy shop and bought one of her beautiful beaded boxes!

#3 - Dees (W.I.P. Work in Progress) in the Netherlands is also no stranger to bead embroidery or working improvisationally! As a participant in the Bead Journal Project for two years, Dees' beading impresses and inspires me more and more. I'm honored to gift her with my book!

#4 - Marsha, is the final selection of the random number generator. She commented anonymously saying, "Oh how I want to get back to beading, still have a stash, and your book looks like the one to do it with." Sounds like she's a great choice! Note to Marsha: Please contact me (robin at robinatkins dot com)... the email address you gave in the comment is not working.

Thanks to everyone (49 + 128) who entered the two drawings. Your wonderful comments were uplifting and kind! I WISH I had many more books to give away... At least, if you didn't win the drawing for One Bead at a Time, you can download it as an ebook for free, here. If you get a bandwidth problem message, it means too many are downloading at the same time... just try again at a later time.

Friday, May 07, 2010

Metal & Beads ~ New Book Giveaway!

Metalwork and beads compliment each other so beautifully!

bead embroidery and copper charms by Robin Atkins, bead journal project, detail
Artists who combine their own metal components (whether silver, copper or bronze) with beads always seem to have a competitive edge in the market place. Their work seems more original, more unique, more precious to me.

doll by Kaite, metal and indigo, bead journal project
And it's not just jewelry. Above is a Kaite's April BJP doll, Metal-Indigo. Kaite made all of the little copper squiggles and dangles in a workshop. Don't they add great character to her doll?!

Back in the 70's, I was a metalsmith, fabricating silver and gold jewelry. Below are a few examples of my work.

metalsmith, sterling silver zipper necklace by Robin Atkins
metalsmith, man's ring by Robin Atkins
metalsmith, picture jasper necklace by Robin Aktins
I learned metalworking skills from three sources: 1. Community college and art college classes, 2. from my friend Liz who was getting a college degree in metalsmithing and 3. from several books (best one was The Complete Metalsmith by Tim McCreight, which is still available). I made and sold jewelry for 5 years, loved working in my shop, loved forming metal!

Later, when I shifted into beads, I used my metalworking skills to create findings and components for my beaded creations (two examples below). Handy!

bead necklace with copper charms by Robin Atkins
bead necklace with copper and sterling hand by Robin Atkins
I also taught wireworking and developed a unique style of fibula pins (below), which have sold well over the years.

fibula pin by Robin Atkins
Frequently beaders have asked me, "I want to learn metalworking... what book do you recommend?" Until now, I have had to answer, "Sorry, there is no decent metalworking book for beaders. Get Tim McCreight's book and figure out for yourself how to apply the skills to beadwork."

At last Candie Cooper has given us beaders a really fabulous book on metalworking!!!!!

Metalsmithing 101 for Beaders, book cover
I like everything about this book! Candie's instructions seem easy to follow, yet thorough. She takes you through all the basics... tools, marking, sawing, filing, riveting, soldering, texturing, patinas... everything needed to create findings and components to compliment beads. Plus she gives many wonderful design ideas, projects and patterns.

Good how-to pictures and drawings...
Metalsmithing 101 for Beaders, setting saw blade
Exciting design ideas... fun fish pin...
Metalsmithing 101 for Beaders, fish pin project
Elegant earrings...
Metalsmithing 101 for Beaders, earrings project
Unique charms...
Metalsmithing 101 for Beaders, handmade charms
...and many more!

I read every word of this book (something I rarely do)... I found it entertaining (not expected), accurate/complete (also not expected) and it made me crave the feeling of the tools in my hands, working the metal, transforming wire and sheet metal into beautiful objects again. I give this book FIVE STARS ++++! Bravo to Candie and Lark Books!

This post is a giveaway! I have one copy of Metalworking 101 for Beaders, by Candie Cooper to send to somebody who writes a comment on this post. Please, include your email address in the comment, so I can notify you if you're the winner!

I shall select the winner randomly on May 20th from those who comment... that's two weeks from today. If you can't wait or don't win, you can buy it here or at your local bead shop.