June 17, 18 and 19, yours truly will be on lovely Lopez Island to learn all about making and embellishing hand-bound blank books with resist-dyed, felt covers. Oh be still my heart!!!
This intensive workshop, taught by nationally-recognized felt artist, Chad Alice Hagen, is brought to 12 lucky students through the efforts of Jan Scilipoti, a felt and quilting artist who lives on Lopez Island (one of the San Juan Islands in NW Washington state). Thank you Jan!
Just in case you're starting to get that itchy feeling (the way I did when I first heard about this event from Sweetpea, who also will be attending), yes, there are still a few openings!!! Contact Jan to get all the information (she'll email you a pdf flyer), ask questions and register. But don't wait too long...
The first day will be all about resist dyeing on needle-punched prefelts... Imagine, 15 dyebaths and oodles of ideas for creating uniquely patterned felt!!!
The next two days are all about creating at least two books each, using our dyed felt for the covers. I've made and Coptic-bound a few books and done a bit of beading (LOL) in the past, but never with felt. I'm looking forward to the feel of the felt in my hands as I work the embellishments and binding! We should have lots of delightful hours surrounded by color, texture, and the companionship of like-minded, wool-dye-bead-book-crazy gals. (OK, men too, if any dare to join us!)
If you'd like to join us, for sure, Lopez Island, mid-June is the place to be! You can see more pictures on Chad's Flickr photostream. And here is Chad's blog, which is waaaay fun!
Friday, April 30, 2010
Wednesday, April 28, 2010
New Hoffman Batiks are Out!!!!! I LOVE Them!
The first two years of the Bead Journal Project I used at least one batik fabric (sometimes 3 or 4) for each of my monthly pieces. I LOVE batiks. This year, I'm stitching on felt and find that I really miss my batiks...
I love to buy batiks in fat quarters. They come in so many delicious colors and patterns. I love that they are hand-dyed and printed.
I buy batiks wherever I am... fabric shops, quilt shows and conferences, and online. My favorite online supplier, by far, is Batiks Plus. They measure a yard at 40 inches, a lovely bonus, and gift their customers with free fat quarters for larger purchases. Their website is fabulous, listing and showing over 3500 fabrics! The pictures are good and the colors true. The pictures in this post are all from their website.
These fabric swatches are from Hoffman's newly released line of batik prints. You can see them all, arranged in "designer groupings" on the Batiks Plus blog. Put on your bib, gals... you'll be a droolin' for sure! Oooooh, the new colors are soooooo exquisite!
The pictures in this post are a few of my favorites from Hoffman's new line! Hmmmm, now don't I have a birthday coming up soon???
If you are viewing this blog on Internet Explorer, you can hover your mouse over the fabric swatch to get the color name and pattern number for each design.
Aren't they just yummy!!!
Thursday, April 22, 2010
6th Photo Challenge ~ FUN!!!!
Mortira over at Inspirational Beading, invited me to participate in a candid look at the past in a "photo challenge"... What fun! How could I resist?
The post is about a 4-day workshop I taught at Valley Ridge Art Studio in Wisconsin... Beads, Books & Paint was all about creating a hand-bound book with painted decorative papers and bead embroidery inset into the cover. I still vividly recall the glorious time we had. Exhausted and exhilarated, all of the students left the last day with a finished book, which you can see here (worth the time to look - they're fabulous!). And below is picture #6... my students victoriously holding up their finished books!
Wow! This is bringing back so many wonderful memories for me!!!!! What a treat to see these smiling faces and review the beautiful books they made. We were utterly exhausted, having worked all day and well into the evenings for four-loooong-days. Yet, we all had a great time, got to know each other and felt a huge surge in our creativity as we worked together. How can I critique this photo when it is brimming with such realized potential?
Not easy, yet there's much I've learned in nearly four years about photos and blogging... Looking at my 6th photo, here are a few pointers that come to mind:
Just for fun, I returned to my original of the 6th photo and re-worked it a little in Photoshop. It wasn't a great photo in the first place. I obviously didn't pay attention to details as two of the faces are hidden and the back lighting in the room did nothing for the photo. Below is the revision (the best I could do with a poor original image), which unlike my 6th posted photo, is sized correctly. I also used shadow/highlight and the dodge tool to lighten the faces a bit.
OK, now it's your turn!!! If you're reading this and have blogged for a while, please accept the challenge to take a look at your 6th posted photo!!!! And if you have a moment, leave a comment here that you've done so... With pleasure, I'll come take a look!
The idea is to go back in blogtime to your earliest posts and identify the 6th picture you posted. The next task is to critique your own photo, explain what you would do differently now, and then pass on the challenge to 10 other bloggers. I'm not big on passing along, because of the sense of obligation that might be felt, so the challenge is extended to anybody who's interested!I started blogging in 2006... (Yikes! Time flies!)... My 6th photo appears here in my 3rd post, dated May 9, 2006.
The post is about a 4-day workshop I taught at Valley Ridge Art Studio in Wisconsin... Beads, Books & Paint was all about creating a hand-bound book with painted decorative papers and bead embroidery inset into the cover. I still vividly recall the glorious time we had. Exhausted and exhilarated, all of the students left the last day with a finished book, which you can see here (worth the time to look - they're fabulous!). And below is picture #6... my students victoriously holding up their finished books!
Wow! This is bringing back so many wonderful memories for me!!!!! What a treat to see these smiling faces and review the beautiful books they made. We were utterly exhausted, having worked all day and well into the evenings for four-loooong-days. Yet, we all had a great time, got to know each other and felt a huge surge in our creativity as we worked together. How can I critique this photo when it is brimming with such realized potential?
Not easy, yet there's much I've learned in nearly four years about photos and blogging... Looking at my 6th photo, here are a few pointers that come to mind:
- Save a LOT of frustration by centering photos and not trying to format them in blogger like books with text on one or the other side of the photos.
- Size photos before uploading to 105-200 KB at 72 dpi, so that they will be click-to-enlarge. I wrote a post about taking, editing and sizing photos here.
- Learn Photoshop or Elements or some other photo editing program. Take a class or on-line tutorials so that you can crop, correct errors, sharpen, delete background shadows, etc.
- Add photos to a post AFTER it is written and spell-checked. I add them in the "edit Html" mode, as they are easier to place without Blogger inserting automatic code that flubs up the spacing.
- When taking photos, allow time to pay attention to details. Remove distracting elements. Be sure your primary subject is well-lit but not in glaring light.
Just for fun, I returned to my original of the 6th photo and re-worked it a little in Photoshop. It wasn't a great photo in the first place. I obviously didn't pay attention to details as two of the faces are hidden and the back lighting in the room did nothing for the photo. Below is the revision (the best I could do with a poor original image), which unlike my 6th posted photo, is sized correctly. I also used shadow/highlight and the dodge tool to lighten the faces a bit.
OK, now it's your turn!!! If you're reading this and have blogged for a while, please accept the challenge to take a look at your 6th posted photo!!!! And if you have a moment, leave a comment here that you've done so... With pleasure, I'll come take a look!
Labels:
About Blogging,
Bead Embroidery,
Photography,
Teaching
Wednesday, April 21, 2010
Inspiration
I've been reading blogs today and am finally inspired to bead. Yay! My March BJP piece will have something to do with the Grand Canyon...
To the studio....
PS. Report, 4 hours later... all's well in beadland... Robin's back!
To the studio....
PS. Report, 4 hours later... all's well in beadland... Robin's back!
Saturday, April 17, 2010
How to Blend Bead Colors
Kali recently posted this picture of her beautiful March BJP piece, called Dancer.
She wrote:
When you need a color you don't have, you might try changing the appearance of the color with the thread color. For example, if you have transparent yellow beads and you want them to appear lime, you can stitch them with green thread. This only works with transparent beads.
Here's another way to "blend colors" that works with any beads (matte, opaque, transparent). I discovered it 25 years ago when my bead thing was making multiple strand necklaces such as the one below. (Note, all the pictures in this post can be clicked-to-enlarge so you can really see the details.)
Notice how this is a red and black necklace, yet in the center of the necklace the red and black blend together making a smooth transition from one color to the other. The chart below shows the basic technique for accomplishing a blend between two colors (click to enlarge).
The pattern is: 5B, 1T, 4B, 1T, 3B, 1T, 2B, 1T, 1B, 2T, 1B, 3T, 1B, 4T, 1B, 5T. This variation of the pattern takes 36 beads to go from one to the other color. But it can be done with more or less. For example, the center section of the pattern only takes 14 beads (3B, 1T, 2B, 1T, 1B, 2T, 1B, 3T) to achieve the transition. While one could make a random blend, I often use a variation of this pattern.
Let's look at the red/black necklace in detail. Below is how the strands look before attaching the clasp.
And here is a detail showing just the center part where the colors are blended. By changing where the blend happens in each strand, I also achieve a vertical blend from strand to strand.
Below is the red side of the necklace. Notice there are no black beads in the upper part of it. I tried, but they were such a strong contrast in value that they made the eye go right there. I wanted the eye to come to the center of the necklace and enjoy the blending of the two colors.
Below is the black side of the necklace. Here I have put some red beads in with the black because without them it seemed unbalanced in value, too dark.
And below is a detail showing how the center of the necklace looks when worn.
I've used this technique in many multiple strand necklaces over the years and have always liked how it looks. When I began stitching beads on cloth, I often needed colors I didn't have or that don't exist. Could I use the successful stringing blend for my bead embroidery?
Yes! Above is my November BJP (2008-9). Wanting to bead a fairly realistic butterfly, I needed to blend the colors, especially on the edges of the wing and where the wing meets the body.
By using backstitch and changing bead colors in a similar way to the chart above, I was able get the look I wanted. When you backstitch several lines of beads next to each other that all have color changes in them, you can create a beautiful blended look. I also blended colors in the short stacks that make the body of the butterfly.
For my April BJP (2008-9), I used this method to blend colors in the waterfall and flowing creek water.
Above is a closer look at the water. It's actually only 3 colors (white, clear and smokey topaz). I used a dark brown thread color where I wanted it darker and white thread for the lighter areas. Plus I blended the colors in each line of beads, similar to the pattern shown on the chart above.
For the skunk cabbage, I used a different method for blending. Again using backstitch, I stitched a line of beads in one color, a different color next to that, and a third color in the ditch, on top of the other two lines. This gave both texture and a subtle shift in color to stems, leaves and flower. I've marked the places where I used this method with white arrows.
Below is a detail picture showing one of the other skunk cabbages.
I've probably only scratched the surface of what is possible in the color blending department. If some of you have found other ways, I'd love to read about it on your blog!
FYI
I designed the red/black necklace based on colors in a Japanese kimono as a project for Margie Deeb's book, The Beader's Color Palette. See pages 91-93 for step-by-step instructions how to make it. Also, if anybody is interested, I might be willing to sell Kimono Necklace.
I also designed several other pieces for Margie's book as projects or to illustrate specific color palettes. Two of them also involve color blending: pages 55 and 163.
If you don't have this book and have any interest in expanding your color comfort zone, Margie's book is a must have... at least check it out from your local library!
She wrote:
The first thing I learned is that, no matter how many different colors of beads you’ve got, it’s never enough. As a painter, I’m used to mixing my own colors, and it’s a bit tougher with beads. Next time, though, I’m going to try mixing some bead soups to supplement my color palette.Like Kali, if you're working with glass beads, you'll soon learn that there are only so many colors and those you have can't be mixed like paint. Even the Delica line, which has by far the most colors, is limited in some areas. And, for bead embroidery, Delicas are less than wonderful because of their large holes and tubular shape.
When you need a color you don't have, you might try changing the appearance of the color with the thread color. For example, if you have transparent yellow beads and you want them to appear lime, you can stitch them with green thread. This only works with transparent beads.
Here's another way to "blend colors" that works with any beads (matte, opaque, transparent). I discovered it 25 years ago when my bead thing was making multiple strand necklaces such as the one below. (Note, all the pictures in this post can be clicked-to-enlarge so you can really see the details.)
Notice how this is a red and black necklace, yet in the center of the necklace the red and black blend together making a smooth transition from one color to the other. The chart below shows the basic technique for accomplishing a blend between two colors (click to enlarge).
The pattern is: 5B, 1T, 4B, 1T, 3B, 1T, 2B, 1T, 1B, 2T, 1B, 3T, 1B, 4T, 1B, 5T. This variation of the pattern takes 36 beads to go from one to the other color. But it can be done with more or less. For example, the center section of the pattern only takes 14 beads (3B, 1T, 2B, 1T, 1B, 2T, 1B, 3T) to achieve the transition. While one could make a random blend, I often use a variation of this pattern.
Let's look at the red/black necklace in detail. Below is how the strands look before attaching the clasp.
And here is a detail showing just the center part where the colors are blended. By changing where the blend happens in each strand, I also achieve a vertical blend from strand to strand.
Below is the red side of the necklace. Notice there are no black beads in the upper part of it. I tried, but they were such a strong contrast in value that they made the eye go right there. I wanted the eye to come to the center of the necklace and enjoy the blending of the two colors.
Below is the black side of the necklace. Here I have put some red beads in with the black because without them it seemed unbalanced in value, too dark.
And below is a detail showing how the center of the necklace looks when worn.
I've used this technique in many multiple strand necklaces over the years and have always liked how it looks. When I began stitching beads on cloth, I often needed colors I didn't have or that don't exist. Could I use the successful stringing blend for my bead embroidery?
Yes! Above is my November BJP (2008-9). Wanting to bead a fairly realistic butterfly, I needed to blend the colors, especially on the edges of the wing and where the wing meets the body.
By using backstitch and changing bead colors in a similar way to the chart above, I was able get the look I wanted. When you backstitch several lines of beads next to each other that all have color changes in them, you can create a beautiful blended look. I also blended colors in the short stacks that make the body of the butterfly.
For my April BJP (2008-9), I used this method to blend colors in the waterfall and flowing creek water.
Above is a closer look at the water. It's actually only 3 colors (white, clear and smokey topaz). I used a dark brown thread color where I wanted it darker and white thread for the lighter areas. Plus I blended the colors in each line of beads, similar to the pattern shown on the chart above.
For the skunk cabbage, I used a different method for blending. Again using backstitch, I stitched a line of beads in one color, a different color next to that, and a third color in the ditch, on top of the other two lines. This gave both texture and a subtle shift in color to stems, leaves and flower. I've marked the places where I used this method with white arrows.
Below is a detail picture showing one of the other skunk cabbages.
I've probably only scratched the surface of what is possible in the color blending department. If some of you have found other ways, I'd love to read about it on your blog!
FYI
I designed the red/black necklace based on colors in a Japanese kimono as a project for Margie Deeb's book, The Beader's Color Palette. See pages 91-93 for step-by-step instructions how to make it. Also, if anybody is interested, I might be willing to sell Kimono Necklace.
I also designed several other pieces for Margie's book as projects or to illustrate specific color palettes. Two of them also involve color blending: pages 55 and 163.
If you don't have this book and have any interest in expanding your color comfort zone, Margie's book is a must have... at least check it out from your local library!
Labels:
Bead Embroidery,
bead stringing,
Color,
color blending,
tips,
tutorial
Saturday, April 10, 2010
Desert + Grand Canyon + Motorcycle!
So, how do I manage to write a post about a 10-day trip to Arizona when I took close to 2,000 pictures? I call my friend Christi, who says, "What are the top three experiences of the trip? OK... if I pick my top 7-10 pictures for each of these three things, then maybe, just maybe, I'll have a reasonable post!!!! Thanks, Christi!
#1 ~ Desert
We bushwhacked and hiked in the desert Northeast of Phoenix every chance we got. I fell in love! Yes, I never would have predicted that both Robert and I would develop such a deep passion for the desert. Everything about it, from the tallest saguaro cactus to the wee little wildflowers, is compelling and beautiful. Highway 87, north of Mesa toward Payson, is a desert gold mine!!!!
Granite boulders on Boulder Mountain, one-mile stretch along Hwy 87, NE of Phoenix.
Prickly pear cactus! Notice there's one heart-shaped paddle... my fave, of course!
Saguaro and prickly pear cactus silhouetted by the setting sun... Oooooooh!
The pretty cholla cactus in the foreground is the devil in disguise! Also called chain or jumping cactus, it's spines are barbed. When they get into your skin, they stay there. The ends break off when you try to pull them out, leaving the barbed points in your thumb to fester. Please, don't ask me how I know this!
This is Robert, my husband, tossing a rock on the "victory pile" at the summit of Pine Creek loop trail off Hwy 87, NE of Phoenix.
#2 ~ The Grand Canyon
Although we viewed three movies about the Grand Canyon before we went, they hardly prepared us for what we experienced there. We both love taking pictures, and took hundreds of them at the Canyon. In retrospect, I believe that taking pictures ensures that I see many details of the place... that I notice composition, color, form, shadows and highlights. But it's possible I miss the whole, the very essence of the Canyon, while busily noticing the details through my view-finder. And then, as I look at the results, they don't even come a tiny bit close to what it's actually like to be there, seeing the Colorado River a mile down and the sky infinitely high.... However, here are a few that at least serve as decent reminders.
Can you see the Colorado River (Robert calls it the Color-red-oh River)? Imagine - a whole mile down! That's 18 football fields, end-to-end.
If and when there's a next time, I want to just sit in one place and meditate for a long while!
We got lucky on the flight home between Phoenix and Seattle. I took this picture of the River and Canyon from my window seat!
#3 ~ Motorcycle
We rented a new, powerful (1800 cc) Goldwing for three days... What a blast!!!! On one of the days we joined Corinne (BJP member) and her husband, Loring, for a day-ride to Jerome and Sedona. I knew Jerome was an old mining-town, turned ghost-town, turned hippy/artist tourist-attraction, but had no idea it was on the very top of a mountain with switchback streets. Who-eeee, what a fun ride to the top! I also knew about the famed, red-rocks of Sedona, but was not prepared for just how red and beautiful the rock formations in the area are.
I took pictures while riding behind Robert on the Goldwing. I even took one of myself.... see how the wind is blowing my face?
Robert and our rented Goldwing. We've stopped to photograph the red rock formations near Sedona, AZ!
Above are Robert, Corinne and Loring posing in front of an old hotel building in Jerome, AZ.
This cliff dwelling is called Montezuma's Castle. It was built and inhabited by the Sinagua people in the 1100s.
I fell in love with sycamore trees... with their long, graceful branches and especially with the mottled, soft celedon, tan and violet colors of their bark!
More pictures on my Facebook page
If you like the above pictures and would like to see a few more wildflowers, cactus, Canyon, etc. pictures, you can go to my Facebook page and check out my photo albums, here. (I hope this link works...)
More fun in Arizona!
We had many other memorable experiences, such as dinner with Corinne and Loring, two spring training baseball games, good SW food, the Little Colorado River Gorge, a fabulous exhibit of Ansel Adams' photographs at the Phoenix Art Museum (the exibit is open to June 1st) and beading with Lisa C for half a day! We are very grateful to our friends, Patricia and Roger, who allowed us to use their vacation home in Fountain Hills as our base. We're also grateful for fabulous weather!
BJP Progress Report
I'm a terrible behinder right now. I've hardly started working on my March piece. Yet, the week ahead looks pretty open right now... I'm crossing my fingers to keep it that way so I can bead, bead, bead.
My six words for April are:
rest
flow
resolve
stitch
finish
forgive
The one I circled as my key word for the month is forgive. Hmmmmm.... wonder what that's about?! Well, one thing for sure... I need to forgive myself for not getting around to any of my favorite blogs for a long time.... It's on the list!
Labels:
Bead Journal Project,
Personal,
Photography,
Travel
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