Friday, September 12, 2014
I Spy..... A New Quilt!
Six whole days and evenings it took me to make this 50" square quilt... Yikes, I'm soooo slow. My neighbor raised her eyebrows in doubt when I told her how long it took, thinking she probably could have done it in 2 days.
Perfectionism is the square root of the time. Ha! Oh well, at least I'm satisfied with it.
The backstory... This quilt, I Spy a Brown Dog, is for my Goddaughter's two children, primarily for her daughter, who is just a year old now, but also for her son, who is about 5, I think. They live in Copenhagen. The above block (photographed before I sewed the left and bottom borders on it), is at the center of the quilt because the whole family loves dogs. Had I been making it for myself (the child within) the center block would have been birds, flowers, kitties, or bunnies... all of which I adored, and all of which found their way into this quilt.
In case you don't know, an "I Spy" quilt allows adults to play a game with children, saying things like "I spy an orange elephant." Then the child finds and points to the orange elephant on the quilt. My Goddaughter's family is multilingual, so it can also be used to teach vocabulary in a second or third language to the kids when they are very young, in a fun way.
Besides selecting all the fabrics and fussy-cutting the blocks, the most difficult part was arranging the finished blocks. No matter what I did, the yellows seemed to be bunched up together. Finally I took a photo of one of the arrangements, changed the mode to black & white, and printed it.
This showed me that I had more lights than I thought, and gave me the idea to put the yellow bordered blocks in the corners and in a left to right diagonal. Once I did that, the rest fell easily into place! Here's the photo again, so you can see what I mean...
The back also took extra time, because I didn't have any suitable fabric large enough to do the whole back. So, since it had to be pieced anyway, I figured it might as well have another dog block, and a mix of fabrics. Here it is.
I scanned two of the fabric prints to make a dedication label, and printed it on ink-jet-printable fabric. Here it is.
The last part was quilting it, something I've got very little experience doing by machine (and way too much experience doing by hand). You can see the quilting pattern, if you click on the picture of the back to enlarge it.
There y'go... kept me out of trouble for 6 whole days! Hope they like it.
Thursday, August 07, 2014
Quilting + Beading = Fun!
As a fund-raiser, the La Conner Quilt & Textile Museum issued a challenge last year at the Quilt Festival, offering the sale of a little kit containing 2 small pieces of fabric, one a Japanese silk print and the other a dark blue, indigo-dyed solid. I decided to "go for it" and bought a kit, thinking maybe I'd make a small quilt with it. Below are the two fabrics in my "kit," although the colors in this photo are a little "off."
All of the entered pieces will be displayed this year at the Quilt Festival in October, and the attendees can vote for the one they like best. The 2 pieces winning the most votes will be on display at the museum for 2 months. Each of us can decide if we want to donate the piece or keep it. If donated, the Museum will sell it either in the gift shop or at a fund-raising auction.
My quilting friend, Lunnette, went right to work with her kit, and soon produced a lovely mountain/water/full moon wall quilt, which we delivered to the Museum last week. Me? I couldn't think of a thing to do with my fabrics... blocked completely...
But at the Museum, the curator, when she took Lunnette's quilt, said to me, "You know, it doesn't HAVE to be a quilt... It COULD be beadwork..." And suddenly an idea popped into my mind.
What if I could make quilted fabrics into beads and put them together into a necklace? Ah-ha! Sounds like fun... quilting + beading! So I gave it a try.
First I pieced the fabrics together, adding one of my own Japanese indigo-dyed prints. Then I made little "sandwiches" of pieced fabrics + lightweight batting + backing fabric, and hand-quilted each unit. The picture above shows the flat, quilted units, and one that I've rolled and stitched into a tube. Below are two of the units.
Here is what the units look like on the back side, after quilting.
Then I started playing around with how to make the pendant and how to form the tubes into beads. Also I had to look, and look, and really LOOK through my stash to find beads that went with the Japanese theme, more-or-less matched the orange-indigo color scheme, AND had holes big enough to accommodate the large, cotton-covered cord I planned to use.
Above is the "playing around stage." About 20 hours later, below is the finished necklace.
And here is a detail.
The Museum wants a name for each of the pieces, which was tough for me... I finally decided to call it "A Crane in the Window." How do you like it?
If you want to have it and support the Museum, you could get in touch with them about when and how they plan to sell it (and the other entered pieces).
All of the entered pieces will be displayed this year at the Quilt Festival in October, and the attendees can vote for the one they like best. The 2 pieces winning the most votes will be on display at the museum for 2 months. Each of us can decide if we want to donate the piece or keep it. If donated, the Museum will sell it either in the gift shop or at a fund-raising auction.
My quilting friend, Lunnette, went right to work with her kit, and soon produced a lovely mountain/water/full moon wall quilt, which we delivered to the Museum last week. Me? I couldn't think of a thing to do with my fabrics... blocked completely...
But at the Museum, the curator, when she took Lunnette's quilt, said to me, "You know, it doesn't HAVE to be a quilt... It COULD be beadwork..." And suddenly an idea popped into my mind.
What if I could make quilted fabrics into beads and put them together into a necklace? Ah-ha! Sounds like fun... quilting + beading! So I gave it a try.
First I pieced the fabrics together, adding one of my own Japanese indigo-dyed prints. Then I made little "sandwiches" of pieced fabrics + lightweight batting + backing fabric, and hand-quilted each unit. The picture above shows the flat, quilted units, and one that I've rolled and stitched into a tube. Below are two of the units.
Here is what the units look like on the back side, after quilting.
Then I started playing around with how to make the pendant and how to form the tubes into beads. Also I had to look, and look, and really LOOK through my stash to find beads that went with the Japanese theme, more-or-less matched the orange-indigo color scheme, AND had holes big enough to accommodate the large, cotton-covered cord I planned to use.
Above is the "playing around stage." About 20 hours later, below is the finished necklace.
And here is a detail.
The Museum wants a name for each of the pieces, which was tough for me... I finally decided to call it "A Crane in the Window." How do you like it?
If you want to have it and support the Museum, you could get in touch with them about when and how they plan to sell it (and the other entered pieces).
Wednesday, July 30, 2014
Origami - Dahlias and Cardinals!
Our fabulous, island library generously offers free lectures, poetry reads, and introductory classes to anyone interested. Thursday, they invited Sonia Wu, of Sarasota, FL, a friend visiting one of the library staff members to teach origami. About a dozen of us, half kids, half adults, showed up.
During the brief class, Sonia taught a geometric form, a simple penguin, and the "flying bird," a version of the crane. Most of the students departed after that, but there were a few of us craving a greater challenge, who stayed to learn:
Ishibashi Ball, made with 6 pieces of 6" origami paper (video tutorial, here),
and Butterfly for Killian, a design from Michael G. LaFosse's book on origami butterflies.
All during the workshop, I was admiring an origami flower brooch that Sonia was wearing (above). When I mentioned it to her, she promptly GAVE me her pin, and told me she found the instructions for it on the internet. So I Googled "origami flower brooch", scanning zillions of origami flower images until I finally found it, described as a dahlia, here.
Wow, they are so much fun to make, and so cute! I can use them to decorate cards, as ornaments, even as an element in bead embroidery. Here are a few of the ones I've made so far.
You can see the first one I made, with a 6" square of origami paper, at the top of this post. The three Dahlias above are made with 3", 4", and 2" squares of origami paper (left to right).
Above are the show stoppers... double Dahlias, each made with one 6" and one 4" square of origami paper, nestled together, and held to the pin back with a brad!
Just as I was leaving Sonia's class, she showed me an amazing little origami cardinal. Seeing my pleasure in it, she generously gave it to me, along with a few sheets of double-sided (red/black) origami paper, telling me I could find an on-line tutorial for how to make it. Found it here: origami Cardinal.
I'm here to tell you, this is not beginner folding... and it will take making quite a few of them before I can memorize the sequence of folds. While Sonia's was made with 3 inch paper, resulting in a bird just over 2" long, mine is made with 6" paper, for a bird about 4" long. But isn't it adorable? Think Christmas ornament or decoration! Think just leaving one on a table, counter, or shelf when you're at a restaurant, store, or other public place. How fun would that be?!
I did a little origami when I was bedridden for a year, missing the whole of 4th grade because of a kidney infection. I recall making many Chinese Junks, gluing them onto cardboard, and giving them accordian-folded sails on toothpicks. Just for fun, I Googled and found a tutorial for that too! Here it is, if you'd like to give it a try.
Although I probably won't be giving up beading and quilting to take up origami in a serious way, it is waaaay fun to play around with it a little!
Friday, June 20, 2014
Pelican Promise... All's Well!
Driving from Bismark ND, to Morris, MN for the 50th
reunion of my 4-year college class, driving in rain so fierce it feels like I’m
in a carwash, only it lasts for 20 minutes at a time, with just the slightest
let-up before the next roaring onslaught, rain so thick and dark that I cannot
see the sides of the freeway, or the next lane, or the tail lights of the
vehicle in front of me until I’m just a couple of car lengths behind, driving
in that kind of weather takes so much of my attention that I fail to notice the
warning light indicating I am soon to run out of gas, fail to notice until the
modern electronic car computer says I only have 21 miles before I am dead in
the water (pun intended).
Since I can’t take my eyes off the road to look at a map,
and dare not pull to the minimalist shoulder for fear of being side-swiped, I
drive past the next exit, where there is no sign at all of conveniences, noting
that now I only have 15 miles in the tank, deciding to take the next exit no
matter what. I take the “Hwy 108, Pelican Rapids” exit, with enough gas
remaining for 6 miles, no service at the exit, and a sign indicating 12 miles
to the pelican town. Should I get back on the freeway not knowing what is ahead
or take a chance on computer error with a prayer that 12 miles ahead there is a
gas station? I decide it’s safer to run out of gas on a minor highway than on
the freeway, at least in this situation where there is virtually no shoulder
and extremely poor visibility in the pouring rain.
Sure enough, at mile 6 of the 12, the car starts to sputter,
losing power. I coast down a gradual slope, luckily finding a reasonably wide
place to pull off the road at the bottom. Hmmmm. Now what? “This isn’t serious,”
I tell myself. I just need to put on the 4-way flashers, get out the cell phone,
find the AAA card, and call for help. As I’m looking for the card, the only
other vehicle I’ve seen since leaving the freeway passes me. Instinctively I
raise my hand, presumably in an “asking for help” sort of gesture. The car
whizzes past without slowing.
Just as I find the card and the cell, I hear a car pulling
in behind me. A young woman gets out, comes to the window I’ve just lowered,
and asks if I need help. She tells me her husband doesn’t like her to stop to
help people when she’s alone. “He always stops to help,” she says, “but most
people don’t these days. I saw your hand. I just thought you looked OK, so I
turned around and came back to see if you need help.”
I explain I’m out of gas. As she asks where I’m going, and I
tell her how I came to be headed toward Pelican Rapids, in the opposite
direction of my destination town, I can see she is relaxing and trusting me.
She takes me to town, chatting along the way, asking me where I’m from and why
I’m in Minnesota, telling me a little about her kids and the birthday party
they’ll be going to after we get the gas, explaining that the town is on the
Pelican River and yes, there is a falls right in town. She stops at the
station, learns their gas can is already being used somewhere else, and finally
takes me to her house where she has a 2 gal. container she recently filled for the
lawn mower. When I tell her I’ll pay for the gas, she says, “Na, you don’t have
to pay.” But I take $10 from my wallet and put it in her cup holder. In
hindsight, I wish I’d given her $20. She even pours the gas for me. Thanking
her, I give her a hug, because after all this, we’re practically friends.
It’s 3 pm, and suddenly I’m very hungry. So now, with 46 miles
worth of gas, I drive into Pelican Rapids, the highway forming the main street
of town, the way it does in most small towns in Minnesota. An artful sign
reading, The Muddy Moose Bistro, attracts me. On entering, I see and smell at
once my instincts are right on target! I order the special, home-made tomato
bisque soup with a grilled cheese sandwich, and a decaf Americano. Oh heaven,
it is delicious!
The only other customers that late in the afternoon are
three bicyclists, who later tell me they still have 40 miles to ride before
reaching their campground destination. Like me, they are having a late lunch, sandwiches
and beer, while drying a bit from riding in nightmare conditions. One of them notices
an old piano against the wall behind where I’m sitting. He asks the waitress if
he can play it. I and probably she are wondering if we’ll be hearing “heart and
soul” or maybe a little boogie-woogie riff. But no, the young man sits down,
and plays such beautiful classical piano music that it brings tears to my eyes.
I sip my coffee, my tummy satisfied, my shoulders at last dropping into their
normal position, the music soothing nerves frazzled by tense hours driving in extreme
rain, my mood shifting from nervous fear to relaxed happiness.
Before filling up at the gas station and heading toward
Morris again, I ask a passing stranger about the rapids. Learning there is a
small water fall right in the middle of town, only 2 blocks away, I walk there
to take a look.
On the road leaving town, even though heavy, dark clouds are
dumping rain again, my mind replaying conversations with the young woman who
helped me, the friendly waitress, the piano musician, and the stranger who
directed me to the falls, I smile with the knowledge that all is well in
Pelican Rapids, Minnesota.
Monday, May 19, 2014
Message to Elders - April BJP
My Bead Journal Project for April concerns a topic not everyone wants to discuss. Please stick with me on this one, and feel free to post your comments, even if you disagree with my thoughts on the subject.
If you've been following my BJP pieces this year, you know I've been greatly concerned for the future of the world and the children who are yet to be born. Countdown, a book by Alan Weisman (a well-researched, yet readable, book about the recent history of the growing human population in all areas of the world, and the effects this growth is having on us and on our habitat) greatly influenced my piece for April. Although I began working on it before getting the book, you can see the like-mindedness between my divided piece (in progress) and the art on the cover of the book (which I think is fabulous).
Watching environmental documentary films on many topics over the past few years, a foreboding sense of the damage our ever increasing growth and demands place on the earth has brought me to a voluntary, world-wide, one child point of view, as the only thing the citizens of the world can do to save it. I call it 1+1=1, and it is the theme of my BJP pieces this year.
For April's BJP, I direct my hopes toward the elders, the grey and white haired folks, like myself.
Above is the finished piece. And here is a poem I wrote while beading on it and the message I hope it conveys to others who are grey now, like me:
My available tools of change are art and words. Thus, I am making these bead embroidery pieces (2.5 x 3.5 inches each), which can be displayed on small easels, and writing poems for whoever will see or read them, in the hopes of helping others to envision and question the future, to ask what they can do for the world.
Thank you for staying with me to the end of this post, and for considering the questions it raises.
If you've been following my BJP pieces this year, you know I've been greatly concerned for the future of the world and the children who are yet to be born. Countdown, a book by Alan Weisman (a well-researched, yet readable, book about the recent history of the growing human population in all areas of the world, and the effects this growth is having on us and on our habitat) greatly influenced my piece for April. Although I began working on it before getting the book, you can see the like-mindedness between my divided piece (in progress) and the art on the cover of the book (which I think is fabulous).
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| Message to Elders of the World (in progress) |
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| Cover Art by San Chung for the Book, Countdown, by Alan Weisman |
Watching environmental documentary films on many topics over the past few years, a foreboding sense of the damage our ever increasing growth and demands place on the earth has brought me to a voluntary, world-wide, one child point of view, as the only thing the citizens of the world can do to save it. I call it 1+1=1, and it is the theme of my BJP pieces this year.
For April's BJP, I direct my hopes toward the elders, the grey and white haired folks, like myself.
![]() |
| Message to Elders of the World |
Above is the finished piece. And here is a poem I wrote while beading on it and the message I hope it conveys to others who are grey now, like me:
I Am Grey NowI am grey now –no longer so self-absorbedas in the greener phase of my life,looking beyond my pile of beads,considering the colors of the whole world,wondering how long beforethere are no more red or green apples,how long before the abundant watersunder the earth's crust are gone,how long before order turns to chaos,and most of all wondering what I can do,in my grey years, to help.Robin Atkins
If you are like me, worried about the world, concerned for the future of all the babies being born every second, and especially for our own children, it follows that we must take on the responsibility of coaching them in stewardship, which includes green living as well as voluntary one-child. My other three bead embroideries on this theme are:
Message to Elders of the WorldFor the sake of your grandchildren and great grandchildren,wake up to the possibility of massive hunger and thirst,the depletion of resources and environmental destructioncaused by the demands of an ever increasing human population.We, the elders, must help our granddaughters and grandniecesto understand it is on their shoulders to save the world,with only one way to do it: world-wide, voluntary, one child.No government can make this happen. Only they can do it.Robin Atkins
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| Message to Young Brides of the World |
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| Message to Women of the World |
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| Message to Citizens of the World |
Thank you for staying with me to the end of this post, and for considering the questions it raises.
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