Order out of Chaos

LS has a difficult job trying to help people whose lives are falling apart to find the keys to their inner home. She doesn't complain, but I know from past experience that it's no easy task to listen to people's problems all day. So I imagine that she finds some peace and harmony in arranging things.

What a good time she must have had lining up and stacking these bits of shell, beach glass, and other objects  in such a tidy arrangement! Although not precise, it is orderly.

And this one just melts my heart. I love the odd thing in the center surrounded by alternating pointy green and roundish white bits of beach glass.

Some time ago, she arranged all these wooden wedges in the window of a shed. I'm willing to bet she doesn't think of herself as an artist. But wouldn't you give these high marks as art? I would!

* * * *

Speaking of order, I'm still unpacking boxes and trying to make order in my new home. It's getting there. The beading table is currently clear enough to do a little bead embroidery... be still my heart! I'll try to take and post pictures of my current piece soon.

Moving Progress

Wow! I should have taken a picture of the beading I did last night... the first in my new home/studio! It felt so great to sit there beading, while totally ignoring all the boxes, all the stuff that needs to be organized and put somewhere.

Stuff piled in the corner of the studio.

Stuff filling the work bench area in the shed.

Stuff filling all the shelves in the shed.

I'm not even showing you the stuff stacked against the walls in the bedrooms and closets. How could anybody have so much stuff? But, hey, the studio tables and chairs are there... I can bead! No gripes at all... progress is being made.

Thanks to those of you have have called, written and/or left supportive comments. It helps me and encourages me... I appreciate you for it more than I know how to say.

Moving Along... New Chapter in Life...

After a dozen years of marriage, my husband and I began to take diverging pathways... different ways of aging, our counselor said. Our lifestyles, interests and needs are not as compatible as they were during our early years together.

A couple of months ago, we finally decided to end the marriage and go our own ways. This is not a sad thing; actually I think it will be good for each of us individually, and enable us to remain friends as well.

He will be staying in our home. I am moving, but not far away. I'm staying on San Juan Island, which I love and where I have good friends, including him. For the next few weeks, I'll be fixing up my new place, converting the living room to a studio and the dining room to a small living room. I should be all moved and settling in by mid-April.

For those of you who are interested, my new address is:
1785 Douglas Road #4
Friday Harbor, WA 98250,
new phone number: 360-370-7066

Since December, I have not done any beading at all. I just haven't had the energy or heart for it. Don't worry though, beads and I are still an item. Bead mojo will come back when I get into my new studio!  In the meantime I've been stitching like a mad woman on my hexie quilt. I'll post about it and show pictures soon. Below is one that shows the border treatment I'm using.

More move information + pictures of new digs

Sometimes, it takes making a decision to realize what I really want. Ever had that happen? Yep, I had been convinced that the mainland move was the right thing. But when the house deal watered out, I felt relief, major relief actually. Examining the feeling made it clear that I really did not want to leave my friends and the security I feel here on the island. Even though there were pros for the mainland, it now seemed I felt more inclined to stay where I am.

Funny how the see-saw of making an offer here and then one on the mainland finally showed me where my heart wants to be.

So, I took another look at the house I'd seen previously, and decided to go for it. Now, I own it. Done deal. I am staying on the island, moving during the next couple of weeks to a modular home in what seems like an amazingly friendly modular home park, located 3 miles out of town. Here are a couple of pictures.

My new home!

This huge, evergreen tree (don't know specific type yet) on the left is one of my favorite things about this home; it seems like "a special guardian". I have neighbors only on one side (and she happens to be a quilting friend!). Looking across the street from the dining room and living room, there is a wonderful view over open, pastoral land, and a little peek-a-boo view of salt water and the Olympic Mountains.

 

The large living room, as shown in this picture, was carpeted, and painted a rather dull brown. I've already replaced the carpet with wood flooring, painted the room a very pale rose, and installed ceiling lighting. This room will be my studio... my art, bead, and stitching haven!!!

The former dining room will be my cozy little living room; and what was the breakfast nook will be quite adequate as a dining room. Everything is currently getting a make-over... paint and new flooring! I couldn't live in a home with white carpets throughout... just not me.

The kitchen is roomy and light, thanks to the skylight. I've never had a dishwasher, and have always struggled with cramped, no-counter-space kitchens. This spacious kitchen is a huge change for the better. Whoo-hoo! It too is receiving a flooring make-over.

I look forward to being moved and settled... to a bit more serenity... to pursuing my art again. It is in sight!

Fetish Doll Celebrates Beading Workshop

I just had to post these pictures of a fetish doll made by Peggy Kemp, who is organizing the bead embroidery workshop I'm teaching here on San Juan Island March 30-April 1.

Isn't she just as fun as can be? Her name is "13 Fishes and a Turtle". I think Peggy's intent is that she and the 12 other students in the class are the fishes. Am I the turtle? She didn't say, but if I am, it's OK with me.

We still have 3 openings in the class. Won't you join us? We are going to bead, learn, share, eat, shop, and have a blast. The island will be perfect by then... flowering, ornamental trees, daffodils, hellebore, and beautiful green everywhere by that time. Of course we won't have a lot of time to enjoy the out of doors because we'll be beading. That's OK though... when I remember to remind everybody to stretch, we can at least get up and look out the windows.

To find out more about this happy event, you can go here or here.

Still Have a Couple of Openings!

  

Bead Embroidery

Beautiful San Juan Island

March 30-April 1

Join me, Peggy Kemp from Hawaii, and 12 other beaders

for a fun-filled two and a half days

intensive bead embroidery workshop

bead sharing

and beadwork show-tell-solve session!

Spring Getaway! 

As of today,

we still have a couple of openings!

Email Peggy for information

or to register.

More information
here on Beadlust!

Marriage & Beading

Today is my wedding anniversary. Sadly, it is not the happy day it should be.

Robert and I tied the knot January 12, 2001 in Victoria BC after being together for 3 1/2 years. We were both over 50 and had never previously been married. When we were saying our vows, Robert jokingly answered the 'til death do you part query under his breath, whispering maybe (not yes, but maybe). Although it was sort of funny at the time, perhaps I missed an undertone of truth, a current of unease that has run through our relationship.

Intersections - Robert & Me, 2011

If you know me, you know my bead embroidery is almost always improvisational, meaning unplanned and spontaneous. I like to stick a thought in the back of my mind, letting it guide my beading in a subconscious way. During our 16 years together, I've beaded about our relationship several times. I thought it might be interesting to take a look at some of these pieces in this post.

Marriage Bag, 2000

This is the first. It is Marriage Bag, started shortly after I met Robert and completed just before we got married. My intent was to explore the idea of marriage and commitment, to ask the question, Do I want to get married to this man?

Marriage Bag, Totem Animals, 2000

The first side of the bag I beaded seems to have a division. Looking at it 12 years later, I think it's about the two of us as individuals, apart from one another. My totem animal is the rabbit, so I think the left area is about me. There seems to be a lot of sunshine on my side. Robert's totem animal is the bear. His part is a bit darker, with just a hint of sunshine. There is a small heart at the bottom in each part connected by intertwined strands of beads, in retrospect a rather frail connection.

Marriage Bag, Intertwined Pathways, 2000

As I beaded the second side, the intertwined strands, representing our connection, grew much longer and stronger. It suggests a good and lengthy future together, don't you think? Back then beading this part gave me great encouragement and optimism about our relationship and marriage. Things looked pretty good during the "honeymoon phase" of the marriage, a time when we both turned blind eyes toward the signs that all was not well.

His Parents Were Alcoholics, 2007

This piece, from the first year of the Bead Journal Project,  is a portrait of Robert, showing childhood wounds, inflicted by parents, altered by alcohol, who probably did not meet his needs. I see scars, a wall, and the spirals of recovery passing under small holes in the wall. I see beaver, able to pass to either side of the wall, facing outward toward the light. I hoped that the wall would gradually fall apart, allowing us to be closer.

Hearts in Delicate Balance, 2008

A year later, I beaded this visual statement of our relationship. Look what showed up.... the same intertwined path, which I think represents the part of me that still held optimistic hope for our marriage to be well-rooted and to grow upward in a healthy way. But more dominate in this piece is the precariously balanced hearts. Even the thing upon which they stand is unbalanced. Bear is there, climbing up hill. Will we make it?

Lunar Marriage Dance, 2009

Three months later, this piece again shows my optimism. Yes, we sometimes drift apart, but then, like the cycles of the moon, we come together again, a "close dance" in the fullness of the moon. As I stitched the last bead and looked at it, I had a sense that the dance between us is good and that it passes naturally through phases, yet remains and will continue to remain a good dance. Looking at it now, I wonder if it actually predicted how the future would find us drifting apart, spending more time in solo dancing than in partnership.

Forgive, 2010

The next year, I was trying to re-invent myself, trying to make changes that would improve our marriage. This piece is inspired by two words: forgive and flow. I wanted to flow through our relationship in a peaceful way and to forgive us both for all the rough spots along the way. In retrospect, I notice that the flow divides the branch and the birds. The two birds closest to the flow have their backs to one another. Improvisational works seems to be like that, suggesting different interpretations at different times. Ten years earlier, on Marriage Bag, the two birds on the branch were facing each other (see the second loop of the intertwined pathways).

Intersections - Robert & Me, 2011

Here is another improvisational piece about our relationship, the intersection of Robert and me. I am the red/pink arm of the intersection; he is the blue arm. This is a tough one to interpret. There is a small black heart at the top of the wooden heart in the intersection. What does that signify? Wedding rings are most often shown overlapping. In this case, they are side by side. Again, I believe my choice of fabric with spirals represents hope and optimism.

None of my beadwork in 2012 is about our marriage or him. I don't know what will happen in the year ahead with either my beading or our relationship. Maybe it's time to tuck the word marriage in the back of my mind, pick up some beads, and start stitching...

Spring Getaway - The Isle of Beads!

It's all Peggy Kemp's idea... her dream comes true March 30 through April 1, 2013... something to cure the winter blues for sure... and YOU are invited too!


Two and a half days to have fun with beads - learning, practicing and creating - on lovely San Juan Island - at the friendly Earthbox Inn and Spa! You can bring your partner, friend or spouse to enjoy spring wildflowers, hikes, kayaking, bicycle exploring on San Juan Island, while YOU play with beads.

March 29 - evening

Gathering at a local shop (yes, of course, beads) to meet me and the other students, and enjoy some light refreshments.

March 30-31 - all day + optional evenings + delicious, hot, catered lunch on both days

Improvisational Bead Embroidery, my favorite in the whole-world workshop to teach.

Learn all of the basic techniques for sewing beads on fabric, including high relief and textural variations, bezels, edge stitches, and fringing techniques. Practice them on a sampler similar to the one below.

Then begin to work on a small piece of bead embroidery, which can be made into a pouch, appliqued on a large bag, framed, sewn into a quilt, or one of many other possibilities. Throughout the two days, I will be teaching how to work improvisationally, without a plan or drawing, in a way that is fun and very empowering!

April 1 - morning

 Beady Problem Solutions

This optional half-day session is an opportunity for you to bring, show, and discuss your own work. I am prepared to assist you with "problem pieces," perhaps beadwork you like except that something doesn't "feel right," or pieces that you don't know how to finish. Bring any type of beadwork to this session.

Register now! Enrollment is limited to 12 students to provide for one-on-one instruction for every student.

Cost:

$250 for Gathering and Improvisational Bead Embroidery workshop

$50 for Beady Problem Solutions

$275 for both of the above (save $25)

To get all the details and/or to register, please contact:

The workshop organizer - Peggy Kemp - email

Join us... we'll have a blast!

Two More BJP Blessings Finished - Family & Health

I finished November's and December's BJP pieces earlier this week and finally got them photographed today. All of my pieces this year are about blessings in my life.

Family (for November) is all about the blessing of a relatively close-knit family. We're not as close as sometimes I'd like, but we all like each other pretty well. My brother, Thom, and I lost our biological father in a car accident when I was 5 and Thom was 3. That could have been a disaster, but Mom met and married a wonderful man 2 years later, who soon became our new Papa. I'm fortunate to have always felt that he was my dad, that he loved me as much as he loved his own 3 children, my other 2 brothers and sister.

I don't really know what this piece says about family. Usually, by the time I finish a piece, the meanings have become obvious. Not so in this case. Anybody have any ideas?  It seems possible that the three buttons in the upper half represent my mom (the bird), my dad (the small blue-bordered button), and my step-dad (the square). Then, maybe the other 5 buttons represent me (well, that would be the rabbit, of course), and my 4 siblings. Whatever the significance/meaning, I do like the colors and the way it looks rich and inviting.

Health (for December) is all about the blessing of good health, with which I am unusually blessed.

I have no idea why I used chakra colors for this piece, or why I worked with a Goddess figure to represent health. I've never known much about chakra theory or particularly subscribed to other than Western treatments for health issues. Maybe this piece portends something for me in the future. If so, maybe this dear, healthy Goddess (along with her association with growing plants and a little kitty-energy) will continue the blessing of good health as I grow older.

<*>  :  <*>  :  <*>  :  <*>  :  <*>

Because of working on my new book, I didn't get started on this year's BJP until June, my first piece for the year. I've done 7 pieces (June - December). Think I'll try to do double pieces for the first 5 months of 2013, so that in the end I will have 12 blessing pieces for this year... I do like them quite well.

<*>  :  <*>  :  <*>  :  <*>  :  <*>

 Hope you all have a wonderful, magical, joyful Christmas. May the year ahead be just beadiful! Thanks for visiting today!

Home - Oct. BJP Finished

Home

What does home mean to you?

A building, a place where you live?

If you ask a poet, "What is home?"

They might reply

"A home protects and nourishes the soul."

My home, the physical place where we live,

is a funky, crowded, owner-built, cabin-like place

on a fantastic rock-moss-tree chunk of land.

I love living here.

My home, the spiritual place surrounding my soul,

is safe and supportive.

I love living here.

Home is my place of belonging,
the key to creativity, the dragonfly of the moment,
the heart of love, the flowers of beauty, the tree of life,
the kitty of whimsy, the pathway to inner peace,
the amber of courage, and the rabbit of gentle grace.

The Bead Journal Project, for me this year, is a place to explore some of the blessings in my life. So far I have beaded Vision, Freedom, Hands, Nature, and now Home. They are small pieces, only the size of an artist's trading card - 2.5 inches wide x 3.5 inches high. To get the detail, I have to use mostly size 15 beads. Not a problem... I love those little guys!

Home has a lot of texture, and thus took quite a while to bead. I guess that's my excuse for being behind. I don't think I'll be finishing November's piece before the month is over. Ha... I haven't started it yet... except I know the blessing is Family.

>*<    >*<    >*<    >*<    >*<

Don't miss this... only one more month to see this fabulous exhibition of quilts made by men!

If At First You Don't Succeed.... BJP & Quilt Camp Disaster

Last weekend was Quilt Camp! Four  days to stitch, uninterrupted, meals provided, no chores... oh joy!

For the first couple of hours I worked on making hexie blocks for my Grandmother's Flower Garden quilt... fun, easy, known territory.

Charged, I got out my quilt top, the one pieced together with the 12 blocks I beaded for the Bead Journal Project in 2011. Each of the beaded Xs represents a relationship, a crossing of my pathway with the pathway of some other person or thing, especially one that was important to me during the month when I made the block.  Here's how it looks. For now, just note the blocks and the way they are assembled on the quilt top.

I had this idea of hand-quilting in diamond (or square-on-point) shapes to match the blocks. It wasn't easy. I worked for about 30 hours (2 whole days and into the wee hours of three nights) to do this quilting. The more I did, the less I liked it.

The idea of it is OK, I think... it ties all the blocks together, suggesting the interconnected pathways of my life. The whole quilt and the blocks look OK from a distance. But I'm pretty sure viewers would want to get close to see the beading. Looking at it closely, the hand-quilting starts to compete with the beading. Which to view? Which is important? Obviously, I wanted the beading to show, because that's the point (and the visual journey) of the quilt.

It didn't look too bad on the lighter colored blocks.

But on the darker colored blocks, the quilting stitches were really distracting.

Sad to say, I didn't realize how bad it was until I was nearly complete (with only one block to go). When the light bulb finally came on, I realized I had to take it all out. All 30 hours of work.  OK, so what to do? How to quilt this thing?

Well, my quilt/beading buddy, Lunnette, happened to bring a HUGE stash of thread with her. Stitch-in-the-ditch with a matching color of thread! Still hand-quilted, but not something that shows much at all.  Now you can see the beading!

In the picture below, you can see I've re-quilted the top and right-hand blocks. Is this better?  Is it worth the time to re-do it?  I think so! (Only 10 blocks to go...)

Lessons learned:

1. Pay more attention to gut feelings that something isn't working.
2. Be ready to abandon a plan that isn't working.
3. Trust that a better solution will come along.
4. It's only time.

By the way, if you're interested in joining the 2013 Bead Journal Project, here's a link to information and registration!

Please Don't Miss This 5-Star Show!

From political to folk,

from traditional to way outside the box,

from peaceful to wild,

from beads to bicycle chain,

from whimsy to satire,

the current show at the La Conner Quilt Museum

has it all...

and

they're all created by men!

Forty-one incredible quilts, created by 15 highly-creative men from the USA, Holland, and Japan. I tell you, their quilts make me swoon, give me heart palpitations. The show runs until December 30. Please, don't miss it! The What-Where-When details are at the end of this post. Let's get to the quilts!

At the most out-of-the-box end of the scale is John Lefelhocz of Athens, OH, who uses the oddest materials to make quilts: sugar wrappers, match sticks, roof flashing, breakfast cereal, plastic bugs, and other assorted materials. If your mind says, "Impossible," take a look below.

Ms. Ing Links by John Lefelhocz, 59" x 35"

The pattern/design on this quilt is created by hundreds of painted bicycle-chain links sewn to the quilt top with beads. Do you get the humor of the title? (Hint: run the Ms. and Ing together.) All 5 of his exhibited quilts are examples of how much fun an artist can have mixing word-play and imagery. Each is a puzzle of wit, challenging the viewer to find all the jokes and meaning it contains.

Near the other end of the scale is David Taylor, of Steamboat Springs, CO, whose meticulously pieced and machine-quilted works are realistic without being "like a photograph." They are fiber and thread, yet somehow give us a good whiff of movement, dimensionality, and emotions found in real life.

Marmalade's First Snow by David Taylor, 47" x 35"

Marmalade's First Snow by David Taylor, detail

Up Up and Away by David Taylor, 42" x 52"

See what I mean by realistic, but not photographic? Can you feel the magic of looking up at a hot air balloon rising in the early morning air, and sense Marmalade's hesitation and intense curiosity about the snow? Wonderful!

Quilts by Shawn Quinlan, of Pittsburgh, PA, tell stories, calling attention to things that aren't quite right in the world around us, adding layers of humor and satire to the expected warmth of a fabric quilt. Being a tree-lover and a person who is a little ill-at-ease with Christmas, the quilt below really hits the mark with me. See the circular and carpenter's saws?

Homage to the Discarded Christmas Trees by Shawn Quinlan, 46" x 33"

Homage to the Discarded Christmas Trees by Shawn Quinlan, detail

Homage to the Discarded Christmas Trees by Shawn Quinlan, detail

Here's another of Shawn's quilts (4 in the show), one that expresses a number of complex thoughts about the political scene in our country's capitol. Check Shawn's website for revealing detail shots.

As My Daddy Always Told Me, "At Least the Democrats Will Throw You a Bone" by Shawn Quinlan, 48" x 29"

Next, let's look at two amazing works by Leslie Gabrielse, of the Netherlands, quilts that show just how expressive and painterly applique and hand stitched embellishments can be! Having spent 10 years of my life folk dancing, I am particularly drawn to the one below, the largest quilt in the show.

Portuguese Folkloric Dancers by Leslie Gabrielse, 118" x 92"

Portuguese Folkloric Dancers by Leslie Gabrielse, detail

Portuguese Folkloric Dancers by Leslie Gabrielse, detail

I am fascinated by the way his work reminds me of collage art, of layering papers, stamps, and paints. Of the four quilts by Leslie in the show, my second favorite is a portrait he did as a commission.

Karlee Abbott, by Leslie Gabrielse

While we're on the subject of portraits, how do you like this portrait of President Obama by Michael Cummings of New York, NY?

President Obama by Michael Cummings, 50" x 72"

Of this quilt, Michael says, "I wanted to play with his racial makeup....his father was black and mother white...that dictated my choice of colors in construction of the quilt. After that choice, I wanted to have some thought-provoking statements by famous people...statements that addressed issues in our society related to both democracy and racism. Issues that are alive and well today and that President Obama has to encounter as leader of our country." Of course, because of Micheal's excellent visual-communication skills, I knew all that, just from looking at the quilt.

Here's another one by Michael, this time a portrait of a place, obviously one familiar to him.

Mecklenburg County, NC by Michael Cummings, 72" x 96"

Mecklenburg County, NC by Michael Cummings, detail

My brother, Thom Atkins, found himself in very good company in this show, and his four beaded quilts add a wonderful contrasting element, a sparkle, to the mix. The two quilts below are my favorites among the four of his pieces included in the show.

The Man in the Window by Thom Atkins, 30" x 34"

The Ravens of Angel's Crest by Thom Atkins, 35" x 51"

Eight other quilt artists, who happen to be men, join those mentioned above, adding their own unique process and style to the mix. The whole, to my mind, is a luscious salad, its flavors delightfully complex and memorable.

But before I get to the show info, remember the teaser photo at the beginning of the post? That picture is a detail from the most jaw-dropping quilt I have ever seen. I mean EVER. And that includes all the thousands of quilts I've seen while teaching at various quilt festivals. It is THE most incredible quilt I've seen in my whole life. This isn't the greatest picture, but please click on it to see it full-sized.

Flow of the Seasons by Shingo Nakano, 87" x 80"

Shingo Nakano, of Japan, cut out over 16,000 little hexagon shapes from hundreds of different fabrics and hand-stitched them together to make double-ringed flower shapes. Arranging the pieced flowers so their colors suggested the flow of the seasons, he then hand-stitched them all together. Each hexagon is about as big as your thumbnail. Hand-quilting around each petal, completes this masterpiece of hand work.

Flow of the Seasons by Shingo Nakano, Summer-Fall

Flow of the Seasons by Shingo Nakano, Winter-Spring

If you follow my blog, you know I've been working on a hexie quilt (see here). Having already spent hundreds of hours on it, I can almost imagine the time, measured in years, it took to make this quilt. But the beautiful hand-work is not its only virtue. The fabrics and arrangement of colors send me into a place of inner calm, of beauty, of spiritual fulfillment. Thank you, Shingo Nakano for allowing us this glimpse into your inner world. If you like this quilt, wait until you go to La Conner. There are two hexie quilts by Nakano in the show! The second is even larger, with about 18,000 hexies. While you are there, take your time to study these two quilts; you won't see anything to compare for a long, long time.

What: Material Men: Innovation and the Art of Quilt Making
When: October 11 - December 30, 2012
Where: La Conner Quilt and Textile Museum in La Conner, WA
Hours: Wednesday - Sunday, 11 am to 5 pm; Monday & Tuesday by appointment
Exhibit Curators: Geoff Hamada and Kathleen Kok

Link to further exhibit information
Link to museum website

Have I been clear enough? Go see this show! Make time; find the moola; just do it!